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Preserving and presenting in Umm el-Jimal

Friday, August 05, 2011
Myrna Anderson

Now it鈥檚 an old stone house, but back in the day, it was the largest and most elaborate of the 150 stone houses built in the Byzantine era of Umm el-Jimal. Only partially intact, the house still has the arched double windows peculiar to the architecture of the time, with its Greco-Roman-Nabataean influences. The old stone house is known officially as House XVIII, and, come January, it will be professor Bert de Vries鈥 primary reason for going to Umm el-Jimal.

鈥淚t鈥檚 part of the architectural heritage of the land,鈥 de Vries said.

In January, funded by a $96,082 Ambassador Fund for Cultural Preservation grant from the U.S. State Department, de Vries will begin working on the preservation and presentation of House XVIII. The founder of 17c起草社区鈥檚 , he has been investigating Umm el-Jimal鈥攁n early Roman-era village and later a Byzantine and early-Islamic town鈥攆or more than 40 years.

鈥淗ouse XVIII is a representative example of the other 150 houses and how the people lived back then,鈥 he said. 鈥淲hat is really interesting is that they probably lived a lot like local village people used to live until they became modernized. A house like House XVIII, as solid or elaborate as it is, was probably a farmstead. They kept animals and were working the fields around Umm El Jimal鈥攗p to five kilometers around.鈥

Re-usable site

Since its original occupation from the sixth to ninth centuries AD, House XVIII has been constantly reused. Throughout the 20th century, it was inhabited by the Druze and then the Arab Mas鈥檈id tribe, the parents of Umm el-Jimal鈥檚 current citizenry. (The house鈥檚 double-window motif can be seen in several structures of modern Amman.) De Vries wants to establish the place as a viable archeological site by making it both safe and attractive to the general public.

The project will happen in three stages. In January, de Vries and the students who sign on for his interim class, 鈥淔ield Work in Archaeology,鈥 will tackle the first: the planning phase. Working from a rented headquarters in modern Umm el-Jimal (which wraps around both sides of the ancient town), the class will complete a documentation of the building and a detailed work plan for its physical preservation.

鈥淪erious planning, according to proper methodology is the most important part 鈥,鈥 de Vries said. 鈥淎nybody can lift rocks after that.鈥 He will be on hand, intermittently for the rock lifting. From February to May 2012 staff from the Jordan Department of Antiquities (which is supporting the project with matching funds) and others will be stabilizing walls and clearing space for walking around in House XVIII.

鈥淲e have a responsibility to leave a site with integrity, meaning it鈥檚 safe and attractive to the general public 鈥 ,鈥 de Vries said. 鈥淚t鈥檚 very interesting because we end up working side by side with architectural people and construction people.鈥

No do-overs

The intent of phase II is preservation and presentation鈥攏ot re-construction, de Vries emphasized. 鈥淚f you have an ancient wall, and you begin building on top of it, pretty soon, you can鈥檛 tell what鈥檚 old anymore,鈥 he said. 鈥淎 re-constructed building is no longer an antiquity. It鈥檚 a modern building.鈥

In the project鈥檚 final stage, de Vries and team will publish their work on House XVIII: the documentation of the building and the preservation process, a visitor鈥檚 guide and three-dimensional virtual imaging of the site.

The virtual representation of House XVIII comes courtesy of Open Hand Studios, a nonprofit organization founded by 17c起草社区 alums Paul Christians 鈥03 and Jeff DeKock 鈥01. (The organization serves as the administrator of the grant.) Christians and DeKock are helping de Vries to create a virtual museum of Umm-el Jimal, including oral histories of the residents, via a previous grant from the Archeological Institute of America.

The duo are also spearheading the restoration of the ancient water system that once sustained the 5,000 residents of the town and will supplement the water needs of the 7,000 who live there now. They first learned about the town in de Vries鈥 classes: 鈥淚t was years before I visited Umm el-Jimal as a student and met the people there,鈥 Christians said. 鈥淚t felt like it was not only a beginning but a culmination of things. I think it was kind of a relief to finally be there. It was as amazing as I thought it would be.鈥

For the community

After four decades of investigating Umm el-Jimal, de Vries too remains captivated by the place. He鈥檚 already planning and raising funds for another development project at the site: a community heritage center that functions as a museum, lecture hall, hostel and a craft market. Open Hand Studios is collaborating on that too. 鈥淲e also think local people will come here and have their weddings,鈥 de Vries said. 鈥淭his will link people to the antiquities and give them a sense of community, and the local people are very excited about that.鈥

For de Vries, going to Jordan feels like going home: 鈥淎fter so many years, being there is actually like being here,鈥 he said. 鈥淭here鈥檚 a large community of people in the government, in research institutes, in the universities, in the municipality of Umm el-Jimal, who are close associates, who are friends. We have people who call me 鈥楿ncle鈥 and call (de Vries鈥 wife) Sally 鈥楢unt.鈥 We鈥檙e really close friends with these families. We have families the same age as we are, and we鈥檝e raised our children more or less together. We鈥檝e gone to each others鈥 children鈥檚 weddings.鈥

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